Silco (
conflictresolution) wrote in
expiationlogs2024-05-26 08:15 pm
The Last Drop Grand Opening
Who: Whoever would like to attend the grand opening mingle at the Last Drop
Where: Entertainment District – The Last Drop
What: The grand opening of the night club / bar
Warnings: Alcohol and low-level drugs

The Last Drop opens big and loud with neon lights and music that booms from within to be heard from the streets. There are two large bouncers at the door, but they were allowing people in very freely on this night until the room was at capacity then there would be a line. The bouncers only stop those who are already three-sheets to the wind and could cause trouble, but otherwise, they are there to break up trouble as the night wears on.
Inside, there was smoke machines, flashing lights, loud music and the drinks were flowing to anyone that wanted. There was plenty of dancing, some dart boards along the walls, a jukebox, tables and booths for patrons to have drinks and discuss business.
There are stairs that lead up to a second floor to one side of the bar, lights on the stairs. There were people lounging on the stairs and it seemed to be ‘employees only’. Patrons were allowed the lounge there as well if they were tired of dancing or the tables or booths were occupied.
https://www.youtube.com/watch?v=x4aGrN9ZBg0
Where: Entertainment District – The Last Drop
What: The grand opening of the night club / bar
Warnings: Alcohol and low-level drugs
The Last Drop opens big and loud with neon lights and music that booms from within to be heard from the streets. There are two large bouncers at the door, but they were allowing people in very freely on this night until the room was at capacity then there would be a line. The bouncers only stop those who are already three-sheets to the wind and could cause trouble, but otherwise, they are there to break up trouble as the night wears on.
Inside, there was smoke machines, flashing lights, loud music and the drinks were flowing to anyone that wanted. There was plenty of dancing, some dart boards along the walls, a jukebox, tables and booths for patrons to have drinks and discuss business.
There are stairs that lead up to a second floor to one side of the bar, lights on the stairs. There were people lounging on the stairs and it seemed to be ‘employees only’. Patrons were allowed the lounge there as well if they were tired of dancing or the tables or booths were occupied.

Silco (open)
He could be drawn into a game of darts, but mostly he made the rounds of the place. At least three times on opening night, there is an announcement that the current round of drinks was on the house. Silco was there to lift a hand to acknowledge the cheering of the patrons.
He did not partake in any fights, but he did watch them take place and get broken up. They didn’t seem to bother him at all. Enjoyment for all it seemed.]
d a r t s
And just because he had been staying quiet didn't mean he had been blind. Akechi had been following the events around Aldrip, both through network and by making rounds around the city. So, there was no way he'd miss the new bar popping up and about. Especially not when it was yet another establishment owned by Silco. The man was really trying to own the city, huh. Something that he wasn't fan of at all.
Meaning that there was no way he was going to miss the grand opening night of the Last Drop! The place wasn't really one that suited his tastes, seeing that he actually preferred jazz clubs where one could just sit down and enjoy from the slow atmosphere while listening to music. And if he was completely honest? The Last Drop didn't really come across as something he'd necessarily associate with the other man. And yet! Still there he was, attending the party like a good host.
It's only when he sees the other man near the dart board, does Akechi make his move. He walks up behind the man and picks up one of the red darts, spinning it in his fingers all while flashing the other his signature, ever-knowing smug smile.]
I take it you know how to play 701.
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slides in here
He's questioning his choices, however, as he sits on the sidelines watching a fight breaking out. Saralegui's brows raise slightly at the sight of one drunk clumsily attempting to pummel another, and he glances sideways at the man he's gathered to be in charge here.]
Shouldn't someone do something...?
[He adopts an uneasy expression, drink held close to his chest. Saralegui can't claim to care much what these people do as long as it doesn't involve him, but it'd probably be stranger if he didn't speak up about such a crude display given his public persona.]
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Sitting at one of the tables further in the back, away from most of the merry drinking and games, Ragna watches some idiots start a fight with a bored expression. He only bothers to speak up once the owner of the place himself happens to walk by. ]
Looks like you won't be getting shanked tonight. [ A beat. ] As long as you keep the free drinks coming, at least.
[ Whether that's a genuine statement, or a poor attempt at humor is anyone's guess. It's probably a bit of both. ]
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SLIDES IN HERE
Congratulations, Silco! It's a busy night, huh?
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— just so you know, that's how you make a villain.
▷ THE ENTRANCE
ii. ❝To the antagonist in your new movie — that's what you did to me.❞ | OPEN.
▷ MAKING ROUNDS
iii. ❝Fed me sugar & sweetness & spice — to keep me quiet & lovely & nice❞. | PRIVATE TO THE FIRST TAGGER.
▷ THE BAR CW: violence/breaking fingers
iv. ❝& I'd choke it down like penicillin — 'cause it doesn't matter to you how I'm feeling. ❞ | OPEN.
▷ @ THE STAIRS/IN FRONT OF THE EMPLOYEE'S ONLY DOOR.
v. ❝Stole my life, that's what I call a heist — sold it back & then tripled the price.❞ | PRIVATE TO SILCO.
▷ INSIDE THE EMPLOYEE'S ONLY ROOM.
vi. ❝& I'm not on your payroll — but I'm makin' a killin'.❞ | OPEN.
▷ THE WILDCARD
v.
He leaned back in his padded chair and crossed one leg over the other as he glanced up to the rafters where his daughter's hammock was hung. They both seemed particularly at peace to be back in a place both of them would consider home. This was where he had spent a considerable amount of time in Zaun after all.]
Not all night, no. I will remain awake until the place closes of course so I can check on the new employees on how they made out. I expect I should make one more appearance with those enjoying the atmosphere as well.
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iv - lmao ok let's go (cw: hallucinations
"Then this place is just perfect for you!" The white witch speaks to his ear again. "It's a mad world, Richard. A devil's party for a devil. You should join in. Unless. There is another reason why you're here?"
The latter remark makes Richard flinch and hastily turn around, ready to fend off the witch with his hand. But instead of Joan, there is another patron who's drink Richard manages to spill with his sudden movement. He, however, does not linger around to wait to see the repercussions as the patron keeps shouting demands at him. This is ridiculous, he thinks bitterly to himself. Once again, he feels like he is somewhere he doesn't belong to.
However, instead of, he doesn't turn around to leave the establishment. Not yet. After all, he does know just who is the master of this party and it wouldn't feel right for him to leave without seeking the man out first. Damned be the witch and her giggling. So, Richard makes his way towards the back and to the staircase. But before he manages to take the first step up he is already being stopped by another person. This time by a peculiar looking, grinning girl.
Richard's eyes widen a bit at the sight of her. The blue hair is, of course, the first thing he pays attention to. That and her.. Well, immodest state of dress. But what truly gets to him is the almost unnatural shine that she has in her eyes, like a wild fire.
At first, he doesn't seem to react to her as he keeps his expression neutral and lips sealed tightly even as she presses up and close into his personal space.]
...No. [And that's all he says to her before turning around to step away from her and leave.]
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ii;
As such, he's kind of glad when Jinx comes up from behind him, even if it's just to smack him in the back and nearly making him choke on his drink.]
Hey, Jinx. [He awkwardly responds, smiling just a little as she swings an arm around his shoulders.] Congrats on the new place.
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iv
or some reason to badger him.]
S-Sorry....I wasn't going to go in, I-I just wanted to sit somewhere, um, alone...er. For a bit.
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i
But Silco had made this entire opening sound more important than just your regular bar. And Ange is curious whether or not this place will live up to that. If the people in charge of this place do intend to shut the place down, then she intends on being there to witness it - and even if it doesn't happen, maybe she can pick up on some rumors in there to gather more information about this place.
The problem though.. It's the line. Ange dreads the idea of having to stand in there in order to be able to get into a place she doesn't particularly want to be at in the first place. The girl is of half a mind to just turn around and go back home--
--but that's when she discovers someone who's apparently able to skip the line easily. Someone familiar.
Ange makes her way over towards Jinx as the other walks out of the bar, just plainly asking: ]
Can you get me in there?
[ Dang, Ange, not even a hi first or anything, girl? ]
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1/2
2/2 cw: uh idk. jinx being jinx again. and i need to sleep. typos everywhere
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Jim Kirk | OPEN
Part of him is jonesing for a Caradassian Sunrise, but maybe that's the homesickness talking. For all that this place reminds him of his world, it's not quite the same as a grimy spacedock bar; still, the neon lights, bumping dance floor, and smoky games in the corner are close enough.
"Make that a double, thanks." Jim amends to his drink order, as the bartender is pouring the scotch, and he slides the odd coins Aldrip uses as currency across the counter, picking up the glass with the other hand and downing half of it. He still couldn't get over the novelty of actual, physical currency - yet another reminder that this wasn't quite home. At least he doesn't look out of place, though perhaps opting to wear his black, Starfleet-issued thermals was nondescript enough to look odd, if one was looking close enough. "Actually, can I get another one?"
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[ jinx has a tendency in manifesting out of nowhere when someone least expects it, especially to the individuals who are all by their lonesome. this time around, the teenager is without a drink, but with a fish sandwich occupying both of her hands.
she makes herself at home (in a way, quite literally) and hauls the seat next to the stranger — taking a big mouthful out of her hoagie. what jinx isn't aware of is that she had spoken with jim before over the network, and already made herself acquainted. but given their exchange was over text messaging and not audio nor video, it's not like she will be able to put two and two together.]
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He approached the bar where Jim happened to be ordering drinks, leaning over. "A whiskey on the rocks," he said simply. He gestured at the younger man next to him. "Serve this one first, of course. Patrons are always provided for."
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Levi | Open
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"What's your poison? I can get you whatever you like, you know. Bar is fully stocked after all." Well, maybe less now with everyone enjoying themselves.
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peter quill | OTA
1. every 1's a winner
2. dance party
3. closing time
3.
He spotted a younger man lounging in one of the booths and approached. Alcohol affected but not someone he was particularly concerned about.]
Which guys would that be? Do you have someone to assist you home?
[It was bad for business if the patrons couldn't make it somewhere to sleep safely.]
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2
N-no, it's okay. It was probably my fault.
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1
not that vash is holding that against him, though. the guy is probably lonely, right? and it's not like he's here with someone, or chatting with another person. he could probably (maybe) help?
which is why vash scooches over to the stool beside peter, before waving a hand to catch his attention: ] Hi! What are you drinking? That looks nice!
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sorry this is so late orz
Bold of you to assume I am also not slow af <3
handshake.emoji
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Richard | OTA
Having spent rather significant portion of his youth on the road, traveling from a camp to camp and so on, he wasn't exactly unused to taverns and pubs. Rowdiness was expected of such establishments and honestly, things being rough around the edges didn't bother him. In fact, he found that there was a charm to them. Seeing the people act freely, do as they please without being held back by pretentiousness of the nobility. No rules, just humans.
He could see it here, too. The way people would laugh, sing and move their bodies along the chaotic rhythm of the music. But it is too loud and too bright, the smell of sweat mixed with smoke and alcohol filled every nook of the place. It's almost overwhelming, assaulting all his senses. And the worst part? Richard does not only feel like an outsider in this place, but he looks like one. Unable to relax properly and awkwardly bumping into the other patrons when trying to move around. Someone tries to pull him to the dance floor, but he swats the reaching hands away, only barely escaping from their pull. In a way, the atmosphere of the bar reminds him of deep maze within the forest -- rousing the restless anxiety from within him.
So uh, come and help him as Richard is just 🧍♂️ in the middle of the bar? ]
ii - cw: hallucinations
[And just like always, the anxiety doesn't come alone.
Richard has actually managed to order a simple glass of whiskey from the barkeep, and is now nursing it in the corner of the bar counter, away from the other people. From the people but not from the witch.
The spirit of the French witch, Joan of Arc, is there with him -- although, only visible to Richard eyes. She standing behind the counter, pouring drinks left and right as if she belonged there.
"Are you not happy Richard? This is devil's paradise! A perfect for you, hm? Go ahead, dance and sing! Join in the debauchery of the soul and set yourself free! Is that not what you want?"]
No. [Richard says quietly to his glass, not bothering to look up.
"Aw, why are you here then? Just what is a demon looking for? Orrr... Who is he looking for? Hahah!]
Shut up.
["Don't be like that. I'm sure that if you speak louder they will all be able to hear you! Who knows. Maybe someone will hold your hand again, hmm?"
The last taunt finally gets a proper reaction of him. Richard slams his fist on the counter and looks angrily up at the witch's sneering eyes. Joan laughs again, giggling a "whoopsie" before dissolving back into the air. For now, at least.]
ii.
Silco slipped through the crowds of mingling people, some playing cards, some dancing, some laughing or yelling loudly at each other. Most people let him pass without incident, patting him on the shoulder like he was an old friend, and he allowed the contact because it was all about ambiance at this point. His mission, aside from making appearances, was to head to the bartender to communicate that another round of free drinks was coming so they were aware of the potential sudden influx of orders.
That's when he spotted Richard looking like a man completely out of place. He redirected his feet to head in that direction as he watched that fist slam against the bar, and he arrived to rest his folded forearms on the bar and turned his head to regard the younger man. He would like to defuse any episodes for the moment.]
Good evening. I'm surprised you came to the Last Drop. May I order you a drink? I suspect I know something you might like.
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i
He doesn't immediately approach. Saralegui sits with the drink he's been nursing for a few minutes, observing, and the corner of his mouth quirks up at the man's stiff, awkward hovering. It's a little sad to watch. He gives it another minute or so while he finishes his drink before setting his glass down and heading over to rescue the duke.
He'd normally take the opportunity for casual touch – a gentle hand on the arm or something, the sort of thing that usually helps subtly attract people – but he saw the way Richard swatted away that one bar patron and so decides not to risk it. Instead, he just steps in close and leans into Richard's line of sight, his expression all soft concern.]
Are you alright?
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i;
You stand out more in the middle of the room like that you know. Come on, let's get you a drink before your scare someone.
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ii
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i - using my disco icon yes
come here and party vash!!
party with the emo king
s'chn t'gai spock >> ota.
ii. you will never be lovelier than you are now
( ooc: i am fine with both brackets and prose! i actually tend to prefer the latter if you want me to really cut loose with longform tags, so choose wisely(?). )
ii
O-oh, um, sorry? S-should I go?
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ii for now
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i.
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ii
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