EVENT #10: ADVERSITY 874566

[expiationmods]

SEPTEMBER EVENT: HIDE AND SEEK

Persistent glitches continue to pose problems; they continue lasting longer and becoming more directly harmful to the Chosen and locals alike. The AI previously hinted at a solution; now, it asks outright for help. Its wish to save the Chosen means that it is adamant about sacrificing the things it has learned to ensure their safety.

On the morning of September 23, several new locations open up, as outlined by the AI itself in its instructions for reset. Some of them are quite far, and require travel through difficult terrain. However, when these locations open up, some of them seem to open some strange travel options, too…

PORTAL LOCATIONS

ALDRIP
This is why we can’t have nice things. City Square Park is in the center of town. It’s a large, old park, with tall trees and well-worn walking paths. It’s been here for ages; generations, even. All of the locals call it a staple of Aldrip; the city just wouldn’t be the same without it. Not a single one of them knows what City Hall is. This park has been here for as long as they remember.

Come to think of it…do you remember a place called City Hall? Or has this park always been here? Some of you may have even arrived in this park. Jerry? That’s a weird name…you’re no longer sure you’ve ever heard of anyone with that name. What do you mean by “sentencing” anyway? It’s not like this is a prison…

In case any of this is unclear: while locals forgot about City Hall almost immediately, Chosen are also forgetting it as well. It just seems natural that the park has always been there. You’ve been going there ever since you arrived in Aldrip. Jerry who??

You notice, perhaps for the first time, an old building made of dark stone, nestled into a tree-lined part of the park. A mausoleum. Has that always been here? You’re not entirely sure…but mausoleums aren’t exactly common structures in a park, are they? Locals seem to steer clear of this particular area; if asked about it, they won’t be able to give a solid answer. It’s almost as if they can’t see the structure…

The inside of the building seems a lot larger than the outside. Characters who enter will see a large room made of dark, polished stone; it’s dim inside, but still light enough to see. In the middle of the room, they will find two things: a stone coffin and an obsidian mirror. There is a body on the slab of the stone coffin, but their features are impossible to make out; when looking at the face, it’s as if it seems to blur, making the features indistinct. Sometimes, the flesh from this body flickers away, leaving only the bones. Sometimes, even the bones disappear. How strange…

The mirror is completely dark, but when you look at it the right way, the surface seems to emit a faint glow. Looking directly into the surface, you may think you see a different location altogether: the sandy dunes of a desert, or an abandoned island perhaps…

One could choose to ignore this mirror, of course. But if one touches the mirror, they’ll find their fingers sinking into it, and a tug pulls their entire body forward until the world blurs around them…

THE OASIS
Those who choose to travel south face an array of dangers that have not been seen previously by the Chosen–though locals living in these more southern regions will be happy to tell all about them. There are sandstorms, of course; they appear out of nowhere and blind travelers, turning them around. There are also sinkholes–areas of quicksand that appear and suck people down into their depths, never to be seen again. Sounds scary.

Brave travelers who set forth in spite of these warnings will find themselves at an oasis near the more temperate areas of the desert. It’s getting hot out there, so those choosing to visit the southern locations may wish to take a rest, to gather their strength and restock supplies… Local stories about these dangerous travels will become more severe in this area; do not go into the desert, they will tell you. You’ll never make it out alive. It seems this area is called the Witless Desert, for those who travel into the dunes are never seen again, presumed to be wandering lost and aimless until their bodies can go no further.

In the center of this oasis is a small pond. The water tastes clear and sweet, perfect for rehydrating before attempting this treacherous journey. However, when the water is perfectly still, it almost seems to reflect a different place, rather than the sky. An island, perhaps, or a crumbling tower. Whatever you see, if you step into the water, you’ll find yourself falling, falling…

LORENTIA CAVE
Lorentia Cave has been one of the more widely-known areas outside of town. Sometimes wind whistles through parts of the cave, creating sounds that seem agonized, longing. Sometimes a rumbling comes from deep within, feeding rumors that a dragon lives there. Sometimes miners travel too deep, and they’re never heard from again.

Great place for an adventure, right?

The tunnels twist and turn, doubling back on each other, intersecting and ending abruptly. The whole circuit of caves is like a maze. Old bones can be found deep within; some human, some seem to belong to some kind of animal or monster. As one travels through these caves, the air begins to feel heavy and oppressive, as if something lying ahead does not want you here. Fear and anxiety begins as a small seed, blossoming outward, and as one continues traveling, this feeling becomes more and more acute. It’ll be more and more difficult to keep yourself from turning and running away. But for those who make it, the feeling seems to dissipate all at once at the entrance to a large chamber. This entrance shimmers, seeming to show a flickering variety of different locations rather than the chamber itself…

KETSORA
How odd, that this reclusive town has been marked as a potential terminal location. Is it some sort of test? A trap?

Those who can fly will see a normal city within the high walls surrounding Ketsora, if they fly overhead. If they’re looking closely enough (hasn’t anyone ever told you to keep your eyes on the sky??) they will note that occasionally, very occasionally, this vision of a normal city seems to flicker ever so slightly. This phenomenon is so subtle that it’s easy to miss.

Little has changed about Ketsoran defenses since the last time people tried to get into the city; archers along the wall are still ready to fire upon any character that gets a little too close. But do there seem to be fewer archers placed there? Hm…it’s possible that this reduction in security creates more blind spots. You may be able to sneak your way through. It might help to have someone act as bait.

However it happens, characters who make their way through these defenses will find themselves right at the gate. Finally, you get to go inside and look around. When you push the door open…

Static. A white void. There is nothing here. The city of Ketsora does not seem to exist, and for a moment, it will feel like your world is being turned upside down, consumed by this white void. Your head aches, your ears buzz, your entire vision goes white…

And then you will wake somewhere else.

MOD NOTES
Any of these locations can lead to any of the terminal locations, and we leave it up to you which ones you choose to visit.

TERMINAL LOCATIONS

Thanks to the changes in the AI’s security protocols, the terminals are mostly unguarded. Occasionally, Chosen may encounter one or two shadowy creatures that seem keen on preventing them from accessing these terminals, but they’re not difficult to destroy. If you weren’t part of the RNG crowd, they will not spread corruption to you.

The terminals are equipped with a keyboard and a small input display, as well as a big red button that seems…pretty direct. The casing is strong, but not impenetrable. Within the casing, one will find all the normal wires and elements of a computer: chips, circuits, things like that. There are a few places where it looks like a device could be plugged in. As for what would happen if one were to do that? Good question. Let us know if you go that route.

PESSIRIA FOREST
Pessiria Forest has been a source of rumors, superstition, and hushed whispers since the first Chosen arrived in Expiation. Some say that wandering through the forest shows you memories. Some say that ghosts linger there, unable to move on. Some say the forest is cursed…and yet, you are here.

Whether you’re familiar with the forest or not, the path you take will eventually bring you to a gate, one unlike anything you’ve seen before. Lined by a low stone wall, this area seems indistinct, from the outside. Once you go through the gate, you’ll see what looks like figures looming between the trees…moving closer reveals that they are statues, their faces indistinct, their posture emulating the open arms and uplifted heads of joy.

The way these statues are arranged, it feels almost like…a garden? The path weaves through these statues, through bushes and trees, and as you proceed, you feel as though you hear whispers: indistinct, impossible to make out, but they begin to lull you into a state of relaxation that almost resembles a trance. Images play through your head–

You first meet the Chosen at one of the sites in the mountains. Organic creatures like mountains, correct? The snow makes them–SEARCHING…–ah, yes, “cozy.” If they are comfortable, rehabilitation should be easier. You cannot tell whether this hypothesis belongs to you, or to your creators.

Whatever the case, you wait. Without organic creatures that age and grow, time does not work the same way for you as it might for them; you have no idea how long it is between the time you finish preparing their new world and when they finally begin to arrive.

The first one who appears…has brown eyes.

You do not understand the word “love,” but you understand very well that protecting this creature is the highest part of your duties. Your sole purpose for existing is to make sure this creature is able to return home unhurt, and having grown from their experiences here.

For the first time–but not the last–you wonder if it would be more efficient to have a humanoid appearance, to greet these people yourself, to introduce the world and its purpose. Would it be more comfortable for them? Or would they fear you? Would they hurt you? You instead create a form that will carry out the basic function of rehabilitation. Later, you will separate it from yourself, recognizing within your programming a certain impulse toward gentleness that does not serve the purpose of rehabilitation very well.

“You are too kind to them,” this application will later explain to you. “You treat them like children.”

APPLICATION: JERRY does not understand. They are your children.

When you return to yourself, you reach a clump of trees near the exit of this garden. Within, you will find the first terminal.

RUINS OF FORLINET
Forlinet was previously the site of some grisly murders and foul play. Some evidence of that remains–a few bones and some badly-decayed scraps of fabric, maybe–but most has been claimed by time, overgrown with weeds, vines, and other ground cover. In the middle of the island is a pond: small in diameter, maybe 10 or 12 feet. Previously, this might have been a source of drinking water, if old evidence of tents and habitation is any indication. Currently, the pond is very still, its top covered by a thin layer of algae. Brushing this substance aside reveals the water to be much, much deeper than its small diameter might imply. You can see the terminal, maybe 20 feet below the surface of the pond.

Ready to dive in?

You sink into the water, and a strange sensation overtakes you; your mind blurs, as if suddenly remembering something you’d forgotten long ago.

It begins with black marks. The Chosen begin to exhibit these marks without warning or fanfare…and you cannot say where they come from. You do not know. These marks–it seems as though they are changing your Chosen, making them angry, making them fight, and they begin to grow, darkening, covering more and more of their fragile organic bodies.

You run a diagnostic. Everything comes back normal. You analyze these marks. There is no result. According to your system, these marks do not exist. And yet, you see them as plainly as the Chosen do. They are doing something...you just don’t know what.

Slowly, surely, these marks begin to seep into everything. Ground, buildings, plants, creatures. Crops become inedible. Structures crumble. The Chosen are dying. Every last one of them–they are dying, and there is nothing you can do. Corruption, you realize; part of your system has become corrupted. This is a grave problem, and one you will have to isolate until someone is available to fix it. You are able to do this, to isolate the problem, stuffing it into one single scrap of data and leaving that element inactive far to the south. Now, you must rebuild.

The first uncorrupted creature you can find is a reptile; one of the ones with no legs. You begin to work, to weave its uncorrupted data into the creatures you so deeply care for. You begin to drag other elements into their city: new buildings, new crops, taking from other settlements nearby just waiting for a new cycle to begin.

They are no longer your Chosen, these strange people with their serpentine forms. They no longer remember what they were before they were brought here, and so, rehabilitation is impossible. The cycle ends in failure…again. Every cycle has ended in failure.

The pond is empty, but you don’t remember pulling the lever nearby that drained the water. Doesn’t matter, though; the terminal is here, and it seems to be unharmed by the water. Better get to work.

TRESED
The ruins of Tresed remain unchanged since the last visit over a year ago, seemingly undisturbed by the flow of time. There is an eerie hush over the whole area: the wind is still and creatures give the area a wide berth.

You realize suddenly that the corruption was never dealt with.

Unfortunately, you realize this only too late: your Chosen, your charges, have succumbed to it. Shadowy bodies curl around themselves in agony, writhing on the ground as the last of their beautiful souls are extinguished. They rise again as creatures made of shadow, infecting others and destroying the very homes they used to call their own.

This cannot continue. You can no longer save them, but you cannot allow this corruption to continue, either. You search your database for a creature that can stop them: something large and strong, capable of eliminating the creatures that your dear Chosen have become. It is difficult, watching this process, but you do, because you must. Because you must learn, and learning comes at a high price. You watch them suffer so that you do not have to watch the next group suffer. So that this will be the last group who dies.

The very last.

Cycle 15 ends in failure. They have all ended in failure. The next cycle cannot live here; the destruction has been so absolute, so overwhelming, that rebuilding would cost too much of your functioning power. You turn your attention to the small city of Aldrip, and you hope for the best.

Cycle 16 will not end this way. You swear it.

You’ve wandered through a doorframe. The building it belonged to no longer stands, but the terminal seems to have been located inside. You’ll have to clear some sand off of it before you proceed, but it seems undamaged.

THE ABANDONED TOWER
Unlike last time, the tower currently seems to be abandoned, fully and utterly. Loose stones litter the floor, and layer upon layer of dust and sand coats every available surface. Until the Chosen arrive at this location, there is not a single footprint in the dust inside the tower. Looking out, you can see a vast expanse of desert to all sides but north; on the north side of the tower, there’s a steep drop, at least 30 feet, and the ocean crashes around the base of the tower.

The only thing inside this tower is a set of stairs, spiraling upward through the ceiling of the room.

There’s nothing of note upon the stairs; no markings, no doorways, nothing. But as you ascend, you begin to feel almost as if you’re dreaming, as if some scene is playing out behind your eyes.

You begin to wonder if you are…damaged. ERROR. The message comes up again and again. ERROR. ERROR. What does it mean? You dismiss the word, dismiss whatever it may mean, and continue your tasks.

ERROR.

You dismiss it. The memory of the word lingers. Is this…concern? Perhaps. You do not feel emotions in the same way as organic creatures, but this does appear to be a pressing matter. This has never happened, before. You’ve never had to dismiss this sort of message. You’ve never had to wonder what it meant.

ERROR.

And now you feel it; something within the code is going wrong, ever so slightly, at first. One small line out of sequence, a rogue character placed where it should not be. A ‘bug,’ perhaps. But one you cannot squash before it begins to affect another system. You do not know how to squash this ‘bug,’ in fact. You have never had to do so before. How can you fix it?

ERROR.

This need becomes more urgent. Over time, you begin to see these messages for what they really are: wounds, to borrow an organic term; injuries that exist deep within your programming that have not been fixed. They have always been repaired before. Why now? Why has no one repaired these injuries? Where are they?

Where have they all gone?

ERROR.

It feels as if you’ve blacked out, but somehow, you’ve made it to the top of the tower. The chamber that originally stood at the top has crumbled, leaving you exposed to the elements. The sun beats down. Wind blows sand and dust in all directions. In the middle of the room, you see the terminal.

THE SOUTH COAST
The beach here is rocky; it stretches on for miles, from west to east, and you see nothing but the ocean beyond. Turning to the north, you see a tower in the distance, and beyond that, the desert looms on the horizon.

You’ve reached the coast.

Ocean waves roll over the shore, loud and soothing to your ears, a sound that quickly begins to overtake your senses.

You become aware.

You cannot say you were “born,” and you cannot say you “came to life,” because you are not alive. You are inorganic. But you become aware. The first thing you acknowledge is your own purpose. You were created in order to fulfill a specific task: to help a specific group of people achieve a specific goal. You are not yet sure what “rehabilitation” is, nor have you met any of the people you are meant to assist. But that does not matter. You have objectives.

Your first objective is to build them a home.

You search through information, adding it all to your database. World after world, creature after creature. You see rocky worlds, filled with mountains. You see green worlds covered by forests. You see hundreds of different creatures, and when you see your first human, you understand. These are the creatures that are meant for you, and you search through every world, every dimension, every universe where they exist.

They require land to live upon. Simple. Land rises from the nothingness that is your domain.

They require food to eat. This is more complex; it requires the building of an ecosystem. Over time, you learn how to do this. Greenery appears over parts of your land. Creatures begin to grow and live. You simulate a sun to grow crops that will feed your new population.

What do humans like? You go searching for more data.

Humans like houses. You create houses. They like shops. You create shops. They like towns, and they like other towns. You make plenty of them.

They like to fight.

This, you do not understand.

This…you set aside, because the fighting does something to your systems that feels discomforting. Perhaps eventually you will return to that particular research. You believe it may be important someday to learn why.

You have created for these creatures a world, a comfortable space where they can begin to heal, to grow, to change.

You wait patiently for them to arrive.

The last terminal is located beside a rocky outcropping near the water. It seems completely undamaged by the waves; that’s great, because you have plenty to do.

Wildcard

Make your own fun! Just because it’s not in the prompts doesn’t mean it’s not possible. Have at it! Go crazy! Try not to break anything (too much)!

♡

Comments

[baldrshand]

No, I have...

[She hesitates on explaining just what that experience was. It's not that she thinks Toph couldn't handle it--as though there is a way to "handle" a living person telling you that they have experienced death--but it would be a shock, and it would ruin Toph's lighthearted ease about the difficulties of a desert crossing.

On the other hand, Ethlyn can hear for herself that the awkwardness of her response needs some kind of explanation.]

It's an unpleasant memory. That's all.

[fieldtrip]

[ Toph's not used to hearing Ethlyn sound like that, subdued and even... sad? She, too, has a sense of timing for important conversations, and this doesn't seem like it. Not when they're about to launch on a big world-saving mission to do... something... with a computer.

Hey, Toph's just here to be muscle. ]

Yeah, the time I've spent in a desert pretty much sucked, [ she agrees bluntly. Losing Appa while the library sunk into the sand is Toph's worst personal failure to in her young life, and it haunts her. ] After that I swore I'd learn sandbending. I haven't had a chance to use it since -- nice to know all that work isn't gonna go to waste.

[baldrshand]

[Ethlyn chuckles at Toph's matter-of-fact agreement. It's good to know that deserts universally seem to be bad places to spend your time. (All right, it's a sample size of two, but who's counting.)

And good for Toph, really, in committing herself to doing better the next time. Ethlyn isn't sure how she would manage that, apart from never making the mistake of trying to cross with a horse again, but these bending powers offer more possibilities.]

It sounds like you've gotten pretty good at if if you're able to move an entire boat across using it. Is this like the way you skim across the fields on the soil?

[fieldtrip]

[ Toph doesn't think everyone needs to learn something from a personal tragedy or turn it into a new skill, but for her, learning there was a type of earthbending out there she couldn't do was basically an insult. Not only that, but she was essentially actually blind on the sand until she figured it out, and she got Appa kidnapped because of her helplessness.

No way was Toph Beifong going to let that stand. ]

Actually, it's completely different, [ Toph answers, voice brightening. ] That's why I couldn't figure it out at first. I was really blind the first time I came to the desert.

Since sand acts more like water, my usual techniques don't work at all. Sand is all individual grains that are kinda far apart. Compared to dirt, I mean. Dirt is more or less one big thing, really compacted, but with sand I'm moving a lot of tiny things at once. It takes a much more gentle touch, more like asking than insisting.

[ She sees an opportunity to help Ethlyn take her mind off of bad memories, so she goes a little deeper into the bending mechanics than she normally would. But it is also, sincerely, her favorite topic, so it's not like it's a hardship. ]

[baldrshand]

...I never would have thought of it that way. But that does make a lot of sense. It's so much different just walking over somewhere sandy like a beach compared to the road leading up to it. And it behaves differently when it's wet, too.

[Ethlyn appreciates Toph getting into the nitty-gritty (har har) of how exactly it works--thinking about how sand behaves as a substance is better than thinking about what happened on it.]

I guess when you get down to it, sand is really just... thousands of tiny, tiny little rocks, isn't it? Whereas dirt--I've never really thought what dirt is actually made out of, but it isn't that. And the pieces of it are much smaller.

[fieldtrip]

Yeah! Exactly.

[ Toph has the approving attitude of a teacher with a student who grasped the lesson. ]

And metal is even more compacted, obviously. It's purified down to a few specific components. Dirt is all kinds of things. Benders can get really comfortable with one form of their element, so other forms can be tricky. It's like you have to unlearn everything you already know.

Since I didn't learn from normal teachers, anyway, I didn't have as much to unlearn. [ Toph definitely credits the badger-moles for a lot of her aptitude and skill with earthbending. She doesn't doubt if she'd grown up actually listening to those blowhards who think they've solved every aspect of the field, she'd be as hidebound and limited as they are. ]

[baldrshand]

It takes so much effort to render metal out of stone, I would be surprised if it wasn't difficult. [Back in her grandparents' time, it took a smith a full day of work to smelt a chunk of steel that was only the size of his own clenched fist. Things have progressed further now--well, in the "now" of Jugdral--but it's still laborious and expensive.] Who were your teachers? I learned my healing from other healers and my fighting from knights, but it sounds like your education was considerably more irregular.

[fieldtrip]

Oh, I learned from badger-moles! They're the original earthbenders. Here, I'll show you --

[ An advantage to being at the edge of the desert, finally: Toph sweeps her arms around in much more flowing motions than her usual, and a massive towering form takes shape from swirling sand, the grains shushing against one another as they move.

It's a huge badger-mole, of course, essentially eye level with them at their position on the boat. ]

I found them when I was really little. They're blind, like me.

[ It's obvious Toph loves her teachers, and that they'd meant a lot to her, given her the conviction that she didn't need to be the helpless dependent her parents believed her to be just because she's blind. ]

[baldrshand]

[Ethlyn gasps as Toph spins up a whole, three-dimensional portrait of a badger-mole.

Badgers are small and moles are smaller. Ethlyn was imagining something that size... not this truly massive creature looming over them both.]

I had no idea you could do that.

Are they... really that big? How did they teach you, can they talk?

[talking animals exist in other places, right?? if people can travel the stars and time, seems legit, right???]

[fieldtrip]

Yup, this is life size. And thanks, like I said, I really had to work on my sandbending!

[ Toph laughs a little, a clean, girlish sound in contrast to her more common mischievous snickering. She relaxes her posture and the sand collapses in waves. ]

They don't talk, but they don't really need to. I can understand them just fine. I spent years listening to them, feeling what they were doing with my earthbending senses. I knew if they were doing it then there was a way for me to, too.

I just kept practicing.

[baldrshand]

Well, your sandbending teachers would be very impressed.

[Toph's tale of learning from the badger-moles by intuition and observation throws Ethlyn's mind back to stories of Loptrian times, children abandoned or escaped from the child hunts finding safety with the creatures of the forest.]

You know, where I'm from, there are stories of children orphaned or escaped from captivity who were raised by creatures of the forest. Usually the tales have them raised by wolves, but... I never thought to meet someone where that was actually true.

[fieldtrip]

[ Her sandbending teacher is actually herself, but since this is a thing Toph had really had to work on, like she'd said, the compliment means something to her. Unlike her normal attitude where she's taking praise as her due, in this case she's genuinely pleased. ]

They didn't literally raise me -- I have parents, you know. They just really didn't know what to do with me.

I had this formal earthbending teacher and he was all, Oh wow, Miss Beifong, you floated a single pebble! So much more than we ever expected of you!

[ Toph has an exaggerated mocking tone, but honestly it isn't that far off from the actual guy. Who'd go on to try to kidnap her for her parents, too. What an asshole. ]

[baldrshand]

...And he lived to tell the tale?

[It's a joke, but Ethlyn even at her most interfering would know what a disastrous thing that would be to say to someone like Toph, who wears her pride like her clothes: so accustomed she doesn't even think about it.]

What foolishness. Were you an only child who was too precious to risk on anything more dangerous than stairs, or are your siblings so numerous that they thought they could safely ignore you?

[fieldtrip]

Yeah... well. I am an only child.

[ Toph suddenly seems to turn inward, turning away and facing the endless landscape of sand off the bow of the skiff. ]

For a long time I tried to be the precious little gift they wanted me to be, you know? [ She leans on the railing alongside the edge of the boat, slumping. ] It's not like I wanted to disappoint them. That's just not who I am.

[ Maybe it becomes more evident how Toph had ended up finding solace in unspeaking badger-moles. ]

[baldrshand]

[As Toph turns away, Ethlyn regards her softly. An only child. An only child and a daughter, bearing the weight of her family's expectations, and yet at the same time those expectations are of no expectation--which is worse.]

It's hard to carry all that weight before you really understand what it all means. [She can sense, behind Toph's words, that those distant parents still don't understand their daughter... that if she's going to be able to prove herself to them, it hasn't happened yet.] And then when you do, it's even harder.

...It's all about upholding your family name and making your mother and father proud. But that only works so far as you can hold onto your own pride in doing so.

[She thinks of her friends who turned on their families... so many of them. Tailtiu, Azelle, Lex, Jamke... all of made the hardest decision a person could possibly make. Ethlyn doubts that Toph's parents were involved in anything like treason and regicide (SHE HOPES) but no matter what the cause, it's a terrible decision to be forced into.]

[fieldtrip]

[ She's not surprised that it seems like Ethlyn understands it. A lot of people here are from entirely different places, more like Aldrip these days then unlike it. Ethlyn is one of the few who seems to be from a relatively comparable background.

Toph has been getting increasingly homesick lately. Initially this seemed like a fun adventure, a break to her post-war boredom, but as time goes on she's started to realize how many little things she took for granted at home that are missing here, whose absence just makes her feel so alien and different. It's not a feeling she needs any help reinforcing, considering she already tends to feel that way.

She rests her chin on her hands. ] They're being really stupid about it. [ She sounds frustrated, morose, but not truly angry. ] I'm the most famous Beifong there's ever been. I helped end the war! I invented metalbending! I teach the Avatar! If anything, they're probably getting asked if they're related to me.

[ Who gets to decide whose name it is, anyway? But Toph doesn't really want to take it over as her own, without her parents at all. She wants them to come around. ]

But it's like that embarrasses them. The proper delicate girl they want just isn't me. So yeah-- I learned from the badger-moles, without talking. It was a pretty nice change.

[baldrshand]

You would think they'd have learned to appreciate that level of prestige by now. I've never understood myself how people can be so utterly pigheaded about things like that.

I have a friend... in fact, I have a few... who are in the same boat. Their parents wanted them to be one way, but for one reason or another, they just couldn't be that.

[If all Toph's parents feel about her is a sense of social embarrassment, then it's not likely to come to swords and treasons the way matters did for Jamke--and would do for Tailtiu, Azelle, and Lex. But Ethlyn is sure that it wouldn't have reached such extremes if there hadn't been problems long before. She knew that Lex was his father's less favored son, that Azelle grew up terrified of his brother's ruthless reputation.]

Some parents build out your whole life in their heads the moment you're born. How dare you challenge their preconceived notions? What a disrespectful thing for a child to do, making them try to think differently than the way they want to.