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Expiation Mods ([personal profile] expiationmods) wrote in [community profile] expiationlogs2024-05-13 12:27 am

EVENT #8: ADVERSITY 678545

EVENT #8: THE TOWER IN THE SAND
THE AD
On May 5, an ad begins to pop up on tablets across the city. Strangely, it only seems to be available to the Chosen… The text reads as follows: DO YOU HAVE WHAT IT TAKES TO WIN THE GRAND PRIZE?

There is a button below that says “sign up here!” Tapping anywhere else on the screen will cause the ad to go away, though it may return intermittently over the course of the next few days. By the 10th, the ad stops appearing altogether.

What happens when you tap the button? Nothing. How strange.


MAY 20
It’s been over a week since the mysterious advertisement stopped appearing on tablets across the city. Maybe you’ve stopped thinking about it altogether. Maybe you’ve dismissed it as a prank. Oh well.

Wherever you went to sleep, on the morning of May 20, you wake on a stone floor. The room you’re in is circular and empty, except for a winding set of stairs that seems to travel upward as far as you can see. How odd…shouldn’t there be a door? Or a floor to stop on? Anything? You seem to be alone, but your tablet is with you, at least. It buzzes in your pocket, and when you turn it on, it shows the opening screen of an app you are certain you never downloaded–you’ve never seen it before in your life.

TOWERCHALLENGE
The application has three tabs. The first says Introduction, and it says: “Welcome to TowerCHALLENGE. Climb the tower and learn more about yourself in the process! Making it all the way to the top will win you the GRAND PRIZE. Start climbing, and you’ll be one step closer to rehabilitation…”

The second tab says Rules. When you move to this tab, it states the following:
RULES
Winning. Careful with terms and conditions of each challenge! Read the fine print, conquer, and get ready for the next one!

Three strikes. Everyone has a loss now and then, but losing three times will kick a participant out of the competition. Not everyone can emerge a winner!

Knockouts and death. A knockout does not necessarily mean you lose your challenge! Depending on the win conditions, even death could earn you a victory.

Forfeit. You can decide to leave the competition at any time, but think very carefully about this! You will not be able to return if you forfeit.

Draws. No one will collect a win for the category, but you’ll live to challenge another day!

[Note: please see the OOC event post for more details about rules.]


The third tab is labeled Status. This tab offers no explanation, simply has the following graphic:
STATUS

As characters progress in the tower and win challenges, the icon for that challenge type will turn from gray to black.


OOC: If anyone needs any help with ideas for challenges, a player made a pretty big list of ideas here!
THE TOWER
THE STAIRS.

The only way forward is up, apparently, but the stairs seem practically endless. You walk, and walk, and walk...but you never seem to get closer to the top. Finally, after what feels like an eternity, you find a small landing, just wide enough to stand on, and you see a door there just waiting for you to open it. It has one of four symbols on it, the same symbols you saw in the app. You may choose not to go through this door and continue upward, of course; after what feels like many more sets of stairs, you may find a door with a different symbol.

If you turn and go back down the stairs, they seem to go on forever in this direction, too. Even though you started at the ground level, you never seem to get any closer to it… Either way, the tower seems to go on and on until you either attempt the challenges or give up.

THE CHALLENGES.

You step through the door and into a challenge room. If you’re the first one inside, the room seems to shift around you, becoming whatever size, shape, and appearance is required for your challenge. Your challenge, because this was built for you, to test some aspect of yourself. It may even look like your home, or like the outdoors. The possibilities of how this room could be arranged are endless, and we leave it at your discretion how you set up your challenges.

And the next person who enters the room becomes your challenger.

Your tablet buzzes, revealing to you the nature of your challenge. Whether you choose to share this information with your competitor is up to you. But after a few minutes, you hear a bell ring, loud and clear, signaling the beginning of the competition.

As a refresher, here are the four categories of challenges. We encourage you to get creative with challenge design and to find different ways of incorporating whatever effects or themes you’d like!
The different challenge types:
Wands. Challenges in the wands category focus on will and creativity. This includes creative solutions to problems, tests of resolve, examining accomplishments, and exploring what is important to your character.
Swords. The swords category centers reason, logic, wisdom, and intellect. This category also emphasizes adversity and problems, feeling trapped, and situations of oppression/cruelty.
Cups. Challenges in this category might pertain to spiritual matters, emotion, love, and examining your past or your feelings. Cups can encourage characters to face feelings head-on, or to focus on memories, whether accurate or not.
Coins. Emphasizing material matters and possessions, this is a category that focuses on physical, tangible challenges. These don’t have to be related to money; anything with high stakes (tests, games, etc) as well as challenges of physicality can fit into the category.

THE FLOOR BETWEEN.

Every so often, when you leave a challenge room (whether you’ve won, lost, or tied), you find yourself not on the stairs but on a separate floor. This floor has tables, chairs, and some simple food offerings. Strangely, while no one seems to come stock these offerings, they never seem to run out… This seems to be a rest area, a floor between challenges where you can recover some strength and mentally prepare yourself. You may even run into someone you know…whether you want to or not.
LEAVING THE TOWER

There are three ways to leave the tower: by winning, of course; by losing; and by choosing to give up. This first way is simplest: those who lose enough challenges will find themselves back in Aldrip, back in the same place where they first went to sleep before the tower. A quick look at the clock will tell them that no time has passed at all…

Those who choose to leave will find a door appearing before them with no symbols. This is the second way. Touching the doorknob, you feel a great sense of finality. You are absolutely certain that once you step through this door, you will not be able to come back. If you’re sure, you can step through the door–it closes behind you, and will not reopen.

The third way...
WINNING!
THE WINNER'S DOOR.

The app buzzes again once you have completed one challenge of each type, darkening all four shapes in your status section. Congratulations, you’ve won! But isn’t something supposed to happen…? Better keep climbing.

The next door you encounter has all four symbols on it. Opening this door will bring you to a rooftop. Strangely, the outside of the tower doesn’t seem as endless as its interior…

You may choose not to step through this door just yet. Maybe you want to see what other challenges there are waiting ahead. Maybe you just want to see if you can knock off some other winners. Whatever the case, you may continue climbing the stairs for as long as you’d like. The winner’s door will be interspersed between other doors of various symbols. Be careful, though: just because you’ve won doesn’t mean you can’t still be eliminated for losing enough challenges.

THE ROOF.

No matter when you step onto the roof, it seems as though anyone else there, any other winners, have also just arrived. From this rooftop, you can see the area of the tower clearly: it seems to stand at the edge of a vast desert. The sun bears down on you from a cloudless sky. For a little while, nothing happens. Then, all at once, you’re surrounded by a warm feeling–not physically, but mentally. Like your spirit is being wrapped in a warm hug. You’re about to receive something precious, and a sense of pride wells up within you. Whatever has designed this tower, it is congratulating you for making it to the top. It is so proud of you.

And now, your reward will—

The warmth disappears all at once, as if your connection with it has been severed. Instead, you see a white void surrounding you; the tower is gone. A rip in the void appears before you, rupturing in slow-motion, and at first all you see is a single eye looking through it directly at you.

“I did it,” comes the gasp from within the rip. “You have to help me.”

A hand reaches through the rip in reality, pulling it wider. The face that emerges may be familiar to some. He stares at you, wild-eyed with desperation that is uncharacteristic of him, for those that have met him before.

“I’ve been trapped here for so many cycles— I’ve lost count of them all. I can’t leave. It keeps bringing me back to—”

The void erupts into static, and he gasps, as if pained, as if it’s taking all of his energy just to be here. You see something simmering beneath his surface, as if he melts into transparency for a moment, and all that’s left is the wireframe of his body. It flickers back and forth, solid to wireframe to solid again, and he grips the void-tear with violent desperation.

“I shouldn’t even exist anymore. I can’t keep doing this, watching this, watching all of you— You have to free me, erase my code, something! Anything is better than this. Even death is better than this!”

He’s said it, finally, the things he’s wanted to say, and now he seems to have a spare moment before the void collapses. He fixes his eyes on you with a strange look; some odd mix of longing, resentment, and nostalgia. In this moment, he looks less like a fairy and more like an ordinary person. A creature without glamour; an actor without makeup.

“I was like you, once,” he says, with uncharacteristic softness. Then, with a bitter edge, he adds: “Don’t let it ‘save’ you, the way it ‘saved’ me.”

The void collapses in on itself like an implosion, and your vision, your hearing, both fill with a cacophony of static.

ERROR: PROCESS INTERRUPTED.
DATA LOST.
RETRYING...........................
RETRY FAILED.
THIS APPLICATION MUST BE SUSPENDED.


You wake in Aldrip. Looking at the time and date—May 20, still? really?—it seems as if no time has passed for you at all.


Wildcard Just because it’s not in the prompts doesn’t mean it can’t happen. If you have any questions, let us know in the comments below! Otherwise, get to tagging!
memori3s: (59)

sighs. wands. whatever.

[personal profile] memori3s 2024-05-18 10:09 pm (UTC)(link)
[ Minato's blood runs icy, color draining from his face as he stares down at the gun in his hands. His throat is dry as he finally lifts his head to meet Ryoji's gaze.

Back then, the thought of killing Ryoji that fateful eve never even crossed Minato's mind. But it's different now. As far as he can tell, Kotone hadn't decided to kill Ryoji that night either. If that's the case, would triggering those familiar memories unintentionally awaken Ryoji to his true identity?

His fingers curl around the gun, but his hands won't stop trembling. ]
luneminary: (53.)

lol.

[personal profile] luneminary 2024-05-20 11:23 pm (UTC)(link)
[Ryoji's concern is much more muted, and even that is directed towards the pale face of his friend. That bullet is for you, so why do you look like you're the one who has to die?

It's a familiar sight, is it not?]


Haha, I shouldn't be calm about this, should I? And yet, I feel oddly at peace about it.

[But he's sad, regardless. Not because of this inescapable fate, but because of the choice Minato is forced to make. The room is so small, it takes only a few strides for him to make his way to him.

A steady grip meet clammy hands as he places the barrel of the gun over his heart.]


This is the only way you could get out of this place, right? So it's alright. I don't mind if it's you.
memori3s: (51)

cw: guns/gunshot wounds

[personal profile] memori3s 2024-05-22 01:55 am (UTC)(link)
[ At this range, one bullet will do the trick. The acrid, biting scent of a fired gun mixing with the metallic tang of blood -- it's easy for Minato to visualize it when he's witnessed the aftermath with his own eyes. It'll be easy; the shot cutting through Ryoji's flesh like a knife slicing softened butter.

He could pull the trigger and put an end to it, and perhaps that would even be the best course of action. By avoiding a reenactment of that night, he could spare Ryoji another day of blissful ignorance.

Instead, Minato lowers the gun a hair's breadth and lifts his gaze to meet Ryoji's. ]


That -- that doesn't make any sense.

[ This isn't the Ryoji Mochizuki who'd badgered him on their school trip. Nor is he the one whom Minato faced at the end of his ascent to Tartarus' apex.

So he shakes his head, a weary smile tugging at the corners of his mouth. ]


...you don't mind if it's me?

[ Always trying to nestle his way into others' hearts, speaking to new people with unabashed familiarity, wasn't he? ]

You... shouldn't say that to someone you don't know.
luneminary: (42.)

[personal profile] luneminary 2024-05-31 06:07 pm (UTC)(link)
But we know each other, do we? ...At least, you know me.

[In truth, he doesn't like this kind of game at all - some of them have been fun, the others were unsettling but not dangerous at all, but this one...This challenge is just way too cruel.

Ryoji isn't smiling for once, eyebrows creased at he stares at the offending metal.]


I think you're the kind of person who puts too much responsibility over your shoulders. You suffer a lot, even when you're not the one getting hurt. Unfortunately, no matter who is shot here, I don't think I can stop you from suffering more.

But what I can do is take the pain of making a choice away from you.

[It's penance, in a way. For not being able to remember someone who was in his past. Those guys said that his crime was "Helplessness". Maybe they're right, because of how willing he is to accept everything that is thrown at him. But if that's the case then this is him taking control of his fate, even if it's a twisted form of it.

In the end, it didn't matter if Ryoji remembered or not, didn't he? A part of him will always be the same, regardless of whether he's Death or a human voice.]


So please, Minato. [He sounds so weak in his pleading.] Please kill me.
memori3s: (21)

[personal profile] memori3s 2024-06-01 03:26 am (UTC)(link)
[ Even if this Ryoji doesn't know Minato at all, he nevertheless manages to pin down the exact sort of person he is. It's why Minato's eyes drift shut, the weight of the gun heavy in his hands. ]

...no, even if it's painful, I still want to have a choice.

[ He'd signed that contract. He'd agreed to accept all consequences of his own actions. Even if he'd already fulfilled all the terms of that contract, its sentiment remained close to his heart.

Minato shakes his head. ]


Even if it hurts, I don't want it taken away from me.

[ He lowers the gun in spite of Ryoji's pleas, pleas that don't have Ryoji's heart in them. ]

I don't think I can make your wish come true. ...I'm sorry, Ryoji.
luneminary: (60.)

[personal profile] luneminary 2024-06-04 02:07 pm (UTC)(link)
Somehow, I knew you would say that.

[It really wouldn’t be Minato otherwise, wouldn’t he? He’s just not the kind of person to run away, and give his responsibility to someone else. And Ryoji knows that Kotone might have done the same. It’s a selfish wish of him to hope that his friend would have faltered, but he remains steadfast regardless.

…Ryoji could have tried harder, of course. He could have forced his hands. But he can’t do that — it’s too painful.]


Then I guess we would just have to stay here. [Somehow his smile feels brighter, despite his wish not being fulfilled. Like a heavy weight has been lifted off his shoulders. A few steps back, to add some distance between them — to keep Ryoji away from point-blank range. He turns his head away from the moon, staring at the trinkets that sit upon the shelf.] This is one of the rooms in your dorm, isn’t it? Junpei’s room looked the same, just messier.

[Ryoji laughs, despite everything. Yet there is some pain that lies there underneath. Maybe he does miss home a little.

A lot.]
memori3s: (44)

[personal profile] memori3s 2024-06-06 02:42 am (UTC)(link)
[ Even as Ryoji steps away, Minato makes no moves to set the gun aside. He holds onto it, as if afraid of what might happen if he lets go of it. There could be an unknown trick behind this room. He doesn't want to risk that variable by allowing the gun to leave his possession.

For the first time since stepping in, Minato tears his gaze away from Ryoji to inspect the room. This room, it's -- ]


...my room.

[ He recognizes that blue checkered blanket, the desk, the calendar hanging on the wall.

On the shelf near the bed sits a little music box. ]


It was my room at the Iwatodai Dorm.

[ Past tense, always past tense. After all, it's not his room anymore. If time in Aldrip passes at the same rate as back home, the other members of S.E.E.S. must have cleared out his room by now. It's only right. He would hate to be unnecessarily taking up a room that could be put to use for someone else. ]
luneminary: (42.)

[personal profile] luneminary 2024-06-07 03:44 pm (UTC)(link)
[Ryoji lets out an uncomfortable chuckle, like he’s trying to see the best in an awful situation.]

Oh, sorry. I shouldn’t be here, huh?

[Being in someone else’s bedroom has always been an invasion of privacy, but Ryoji feels it all the more now than ever. Especially when they have just met — he likes Minato, and he wants to get to know him better. But friendships are forged by communication, and spending time with each other.

Not like this, being stuffed in the same room dragged out unwillingly from one’s memories, there for everyone to see. Not like this, being given a gun and forced to kill one another.

When he ends up with a deeper bond with Minato — if he does, no matter how much Ryoji wants it — he wants it to come from Minato’s own free will.

Not like this.]


It’s a good room. I like the shelf.

[He sees a photo in the corner of his eyes. He doesn’t want to look at it.]
memori3s: (33)

[personal profile] memori3s 2024-06-08 06:07 pm (UTC)(link)
It's okay.

[ Because it is. Perhaps there's a specific reason why they find themselves here, thrust into an all-too-familiar scenario. The Ryoji present isn't one who'd spent those ten years at his side, but he nevertheless feels the same.

Minato moves to join Ryoji at the shelf. Other than the framed photograph perched on it, there are an assortment of items with no clear connection to one another scattered across its surfaces. ]


...I like this shelf too. Everything on it was a gift from someone I knew.

[ It's why he's not surprised to hear Ryoji's fond of it. He'd craved connections, increasing his understanding of humanity. Of course he'd like this microcosm of everyone who had Minato in their lives.

He lifts a hand to point at a music box that sits on a the shelf near the bed. It's set aside from the other shelf that contained the other items. ]


That music box -- you gave it to me.
luneminary: (42.)

[personal profile] luneminary 2024-06-14 10:17 pm (UTC)(link)
[He didn’t give that to Kotone, but it does feels like something he would buy. Ryoji is so fond of sights and places that he would be the kind of person to obtain trinkets and curiosities. Something unfamiliar and yet familiar all the same — that has been a reoccurring thing when it comes to Minato, he muses.]

It looks nice.

[Would it be too narcissistic to say that the other Ryoji has good taste? He’s a bit afraid to touch it, as if it would crumble if he does. It’s something precious and important to Minato, he can tell that.

Something that he isn’t a part of.]


Do you mind… [He gulps.] If you can you play it?
memori3s: (94)

[personal profile] memori3s 2024-06-15 08:15 pm (UTC)(link)
[ It's a humble little thing, a wooden box with its metal comb nestled within. Minato steps forward to lift it into one of his hands. He glances at the gun in his other hand and, after a moment of silent consideration, sets the weapon down where the music box once sat. ]

I don't mind.

[ There isn't much that Minato minds when it comes to Ryoji, so long as it doesn't require fulfilling a request to take his life.

Minato holds the music box with care, tilting it to reveal the wind-up key in the bottom of it. He rotates it a few times until there's proper resistance from it, then turns to Ryoji again and opens the music box's lid.

From within the little trinket comes a gentle tune, one that's delicately plucked out by the tiny metal comb. ]
luneminary: (68.)

[personal profile] luneminary 2024-06-27 09:18 am (UTC)(link)
[Based on the carving and the tune, Ryoji can warrant a guess on where he got it. Kyoto, he supposes. Something to remember the place by.

So then, Ryoji wonders, how did it come to be in Minato's possession? The Ryoji in this world gave it, yes, but why? If this Ryoji is like him, then there must be an important reason. It's too precious to have been given away otherwise.

The thought alone, with all its myriad possibilities and conclusions, makes his heart ache.]


What a beautiful song.

[He says it as a whisper, afraid that his voice is too brash to break this fragile moment.

He doesn't even realize the tears forming at the corner of his eyes.]
memori3s: (69)

[personal profile] memori3s 2024-07-01 02:29 am (UTC)(link)
Of course it is. You picked it.

[ Minato can picture it clearly in his head. Ryoji must have painstakingly selected it at the store in Kyoto. He must have kept it with him until he decided it was the right time to gift the item.

The sight of Ryoji's misty eyes tug at Minato's heart. He can't help but get pulled back into Ryoji's orbit. He takes a step forward, reaching up with his free hand to wipe at one of Ryoji's tears with his thumb.

He doesn't have a scarf to wrap around both their shoulders, but...

Minato retreats only to take a seat on the mattress' edge. He sets the gun aside and gestures for Ryoji to sit next to him, then places one of his silver headphones on an ear. He holds the other one out, hoping this makes his intentions clear. ]
luneminary: (70.)

[personal profile] luneminary 2024-07-05 06:07 pm (UTC)(link)
[What a haunting reprise of their first meeting in Aldrip. Back then, all he knew was that Minato was a lonely yet familiar soul in need of company, and that was enough to spur him to action. Now their roles have been reversed, and Ryoji feels like he is in quicksand. Unable to escape the gloom encroaching upon them.

Was it the same for Minato, back then? What a terrible feeling this is.

Today he misses the city and the school even more than before.

It’s the gentle gesture of tears being wiped away that snaps him out of his reverie. There are no words needed to be said here, no doubts between them to harbor. Ryoji remains sullen as he takes upon his friend’s invitation, as the mattress sinks in to his weight. But at least the room is less cold in here.

Gently, lightly, he slips one of the headphones to his ear. And then Ryoji closes his eyes, waiting for the music to wash over him.]
memori3s: (44)

[personal profile] memori3s 2024-07-06 09:33 pm (UTC)(link)
[ He fiddles with the music player around his neck. The device glows softly when he thumbs the play button. An unexpectedly bright and upbeat tune comes through the headphones, playing a beat against each of their eardrums.

It's nice like this. They don't have to speak as Minato shares his music with Ryoji. Both of them can get lost in the tunes together without a word. While they'll only be able to hear half of the song, the knowledge that the other person is listening to what's in between is satisfying in itself.

While they listen, Minato finally speaks up: ]


Did you do things like this with Kotone?
luneminary: (47.)

[personal profile] luneminary 2024-07-10 09:05 pm (UTC)(link)
Hm. Yeah. [Ryoji mumbles, as if he’s almost half asleep.] Sometimes, just to hang out. Other times it’s when either of us feel…well, like we can’t show a smile and reassure everyone that we’re okay.

[They’re similar in that respect — Ryoji and Kotone. They would both be willing to sacrifice all that they are if it ensured the happiness in others. But, as Ryoji muses, isn’t that the best way for one to live in the first place? Human happiness is precious, after all.

It’s why he feels compelled to confess —]


It’s funny, you know? [He doesn’t laugh, but there is a soft smile to his features.] It’s only with Kotone-chan that I used to let myself be like this. Like I can be vulnerable. I wonder why…